Tokyo Crazy Paradise [4]: Favorite Characters

>> Friday, August 5, 2011

Normally I describe my favorite character in the original review (and I have one: Ryuuji just edges out Tsukasa, though it's a close-run thing). However, in Tokyo Crazy Paradise, the characters are too good to wedge into a single post review. That's how good they are.

Nakamura-Sensei tends toward large casts and there's quite a sizable one here, but unlike Skip Beat! with an endless parade of charming characters, the list of truly notable characters here is much shorter, the villains less charming (with one exception). BUT, the notable characters they have are fantastic.


We have to start with Kozeki Tsukasa, who would definitely have been my favorite character her if Ryuuji had been just a little less perfect. Ostensibly one of four brothers, she's gregarious, volatile, straight-forward and prone to whimsy. Raised as a boy by her cop parents, she fights like a pro (better, actually) and thinks of herself as a boy, which is a challenge as she's at the age where she's attracting men (which confuse them if they don't know her true gender). When she "cross-dresses," however, she's all girl. Still a butt-kicker, but quick to play feminine tricks to get whatever she wants. Since she's curvy and beautiful, both methods are effective.

She is naive and dense, depending on the topic, but she's got a sharp mind, an nose for trouble, and is quite observant and skilled with sniffing out bad guys and workable strategies. She's incredibly swift and exact and has this really cool chain with a weighted end she pulls out that is both offensive and defensive weapon. Really, it is so neat. She dodges bullets, beats small-time and big time hoodlums up with similar ease and is almost always able to leap between Ryuuji and his many assailants.

She's devoted to doing the right thing, helping the innocent (in a world where most walk by trying not to see. Despite her disdain for the yakuza, she has always been intrigued by Ryuuji (who is everything she's not) and quickly (and almost against her will) becomes devoted to protecting him. He frustrates her. She doesn't understand him. She doesn't trust him, but she's first trapped by her do-gooder nature and then by a genuine regard for Ryuuji.

As she starts out fighting her attraction to Ryuuji (and confounded by his overt interest in her) but quickly wants to be a friend. Over time, however, other concerns (including Ryuuji's unscrupulous and dangerous fiance) force her to try to deny her romantic feelings and his to protect herself and her family. Ah, if it were only so easy. What she does learn, however, is that she can't turn her back on Ryuuji, who she respects more and more, and devotes herself to his protection, whether she's ever more than his defender or not. And that's despite the growing contingent of other males sniffing around her. And the revelations about who she really is that challenge what she wants, what's important in the future.

Shirogami Ryuuji is the youthful leader of a powerful yakuza syndicate, a syndicate with unusual scruples and standards, including a prohibition in dealing with drugs or getting involved in human slavery or dealing in particularly nasty weapons (that they once manufactured for the military). Born prematurely to a mother that didn't survive his birth, Ryuuji is in the care of Kamojima (his bodyguard) from almost the first moment, groomed to be unemotional and completely devoted to the preservation of his yakuza group and their ideals. Brilliant, capable, skillful, Ryuuji masters everything and never lets his guard down around anyone, learning to hide his emotions and set aside his own needs in deference to those of his group. He's also close to Tsukasa's level in hand-to-hand as well as being a crack shot (which she is not).

He's a very powerful young man and well aware of his power and skills. He's serious and stoic and counts on those protecting him and supporting him to do their jobs without his intervention. When it comes to his honor, the standards of the Kuryugami (his syndicate), and his duty, he is uncompromising and demands the best, especially from himself. When his group choose a bride for him, he doesn't even consider questioning it (as far as can be seen).

And into this dispassionate perfection stumbles...Tsukasa, his heedless frivolous katagi (non-yakuza) classmate. Although ostensibly unfriendly when Tsukasa first comes asking for help (and ruthless about forcing her to become his bodyguard and help him find his father's killer), we eventually realize that he's always been intrigued by Tsukasa, that he was the one who saved her from drowning three years previously, and that, as a result, he knows Tsukasa's a girl. He is also well aware that Tsukasa is very capable combatant.

More than that, however, we soon learn that, around Tsukasa, he can be himself, that he can smile and lose his temper and be a teenager. His attraction for her sneaks up on him and he begins by manipulating the situation so she is stuck by his side (using any means necessary). Used to women throwing themselves to him, Ryuuji finds Tsukasa a reluctant (and unaware) object of his affection who both intrigues and frustrates. He pursues her aggressively, while accepting the poundings he takes as a result philosophically (note that Ryuuji does not nominally allow people to beat him up). She comes to his rescue; he does the same for her when her heedless meddling gets her into trouble (as it frequently does). As Kamojima is quick to realize, Tsukasa is the spot of light in a dark unforgiving life. He wants her, even though he doesn't really expect to have her the way he wants, though he is quickly jealous if she interacts with anyone else. (And it's Tsukasa, not just a girl that looks like her. She has a temporary personality snafu due to poisoning and what he wants is his own Tsukasa back). And, yeah, that appeals to me.

And I really can't tell you more about him without giving away great gobs of the story. Pity.

Instead of talking about the villains (though there is one notable one), I want to focus on the other pivotal character here, Kamojima Toshiyuki, Ryuuji's bodyguard and the man who effectively raised him. Kamo-san is cool for several reasons, not the least of which is that he seems so harmless in general, when he's really a pretty decent badass (though not a good shot). But, though he taught Ryuuji growing up, where Ryuuji's focus is the good of the syndicate, Kamo-san is focused on Ryuuji's happiness. Period.

That means, while Ryuuji's pulling back from Tsukasa and cozying up to his fiance for the good of his group (since the fiance has the blessing of all the factions and can prevent internal strife), Kamo-san is trying to make sure Tsukasa is not driven away in the mean time. He makes no bones about working against the fiance. Even as Tsukasa's strongest supporter, the one he's focused on is Ryuuji, willing to put Tsukasa in any role that will make Ryuuji happy. Will he push Tsukasa to become a second wife for Ryuuji? You bet. Will he spread secrets about Tsukasa to make her more appealing to the yakuza (given she's a civilian?)? Hell yes.

The story about about Kamojima adoption of this pivotal role of Ryuuji's caretaker then bodyguard is heart-wrenching. His unselfish and unflinching focus on Ryuuji's happiness - not just survival, actual happiness - in this world where happiness seems hard to find, well, I can't see how you can't love Kamojima, even if he's pretty ruthless when it comes to everything else. Especially when you realize that, though he does the kindly appearing things really for Ryuuji's sake alone, they're still good things. In the end, he's working in Tsukasa's interests too because, well, she belongs with Ryuuji.

I can't do any of them justice here, actually.The best way to find out how truly amazing and satisfying these characters are is to read the books. Now if someone would just publish them in English.

10 comments:

  • Jeff King
     

    I like this one a lot... it would be nice if they were in English.

  • Anonymous
     

    Note for other readers: this comment contains SPOILERS.

    I agree for the most part. Ryuuji is totally fabulous. Tsukasa is awesome. And I love Kamojima. Unlike you, though, I quite like Asago too. Sure, she handled a few things badly (very badly, actually), but so did Ryuuji in not making his regard for her clear, and she's had to deal with so much more pressure than Tsukasa has ever had to. Tsukasa really had quite the ideal life up until her parents were killed (and even afterwards in a lot of ways). By contrast, both Asago and Ryuuji have been facing adult pressures their entire lives, and though Ryuuji seems to have an innate core of steel, I can't blame Asago for buckling a little under that weight.

    On another tack, I personally think Ryuuji may actually be on par if not actually a bit better than Tsukasa at hand to hand.

    Consider that not long after taking four gunshot wounds to the torso, recently emerged from a coma, and with an arm so ripped up that he has limited control of one of his hands, he took on four drugged assailants bare handed and prevailed. Tsukasa, able bodied and using her signature weapon, barely held her own against three until they were subdued by Munakata and Kise. Tsukasa herself noted this and was predictably riled given her dogmatic adherence to that "don't ever lose to a boy" commandment.

    Additionally, Ryuuji proved that in that same condition he could have taken out Tsukasa's uncle (Shiva), while Tsukasa came within an inch of being raped by same and was saved only because of Shiki's jealous intervention.

    With respect to their martial prowess, I think we should keep in mind that, for the most part, Tsukasa charges into a fight only caring about where she and Ryuuji are with respect to the enemy, whereas Ryuuji fights while keeping the entire battle and their objective in his head, and strategising for the whole group as he goes.

    Tsukasa is still awesome, don't get me wrong, but I do think that Nakamura-sensei's penchant for slapstick domestic violence, not to mention a plot engineered to always put the main character centre stage, paints a slightly misleading portrait of Tsukasa and Ryuuji's respective abilities.

    And just in case you're wondering whether I dropped by just to spout my unasked for opinions ;), I actually arrived here in the course of searching for TCP fan fiction!

    I really liked both Consummation and Afterglow, most especially since they dealt with some of Tsukasa's emotional stumbling blocks. The fact that TCP ends with Tsukasa barely at the "accepting her feelings" stage is one of my few disappointments with the story. I very much enjoyed reading your take on resolving this scenario. Thank you for posting them.

  • Stephanie Barr
     

    My answer may also contain SPOILERS.

    You are welcome to like Asago. I don't, but I don't really hate her either. I can't warm up to her, though, despite her "reformation" because she's still essential self-absorbed, a characteristic that completely turns me off. Ryuuji grew up in near the same pressure crucible as she did, but he is relatively selfless, looking out for his kumin and only ever slipping to put Tsukasa and Kamojima ahead of those interests here and there. Although he loves Tsukasa, her happiness is a main concern even over his own wants. Asago NEVER did that when she loved Ryuuji and hasn't really shown it with the cop either. Tsukasa is a unique individual, not to be compared to others, but is largely selfless, only balking when she's afraid of losing herself (sense of self) entirely. Admittedly, that's just my opinion.

    When it comes to fighting, I'd say Rjuuji is, hands down, the better strategist, better all around at hand to hand (skillful) - such as using pressure points against the drug folks - and, of course, he can shoot. Under nominal circumstances, I'd give him the edge. Tsukasa largely fights in the brute strength and ignorance, which is enough to hold her own against most. However, I think he she snap into a different mode and Rjuuji (not her own danger) seems to be the trigger where her speed and capability are beyond anyone (yeah, even Ryuuji). She's kneeling by the cop, spots the gun and, WHILE RYUUJI IS STILL LOOKING AT HER, blows past him to take the bullet. He didn't have a chance to turn his head.

    Ditto after he was shot. He was barely holding his own against a bunch of armed thugs before he was shot down in Asago's defense. She took them out handily like an evil spirit and I don't think she even had a weapon. He out smarted the bakamanos. So did she, but she also came close to outfighting them. Fair is fair.

    But, under other circumstances, they are close to the same level except he's got more skills and she *might* have an edge on speed. Their skills are very complementary.

    Thanks for your comments. These, of course, are my opinions. I don't think that makes anyone else's opinions any less valid.

  • Anonymous
     

    And the SPOILERS continue! :)

    I don't know that I agree, although as you say, no opinion is any more valid than any other ... excepting Nakamura-sensei's, of course ;).

    With respect to Asago, however, I think it should be noted that she backed down of her own volition once Ryuuji's fraternal feelings became clear to her. I'm not saying that she handled things at all well before that, but once she has confirmed that Ryuuji does not regard her as a lover, she's the one who says to him that she cannot make him happy simply by being at his side the way Tsukasa can. She's a fourteen year-old girl living under unbearable pressure without any of the support that Ryuuji gets from Kamojima, and while Ryuuji is in some ways insulated by his position, Asago is assailed on all sides, even by her own father. I still can't say that she's my favourite character, but I do appreciate a girl who, without Tsukasa's genetic windfall, on nothing but sheer guts and stubbornness, drags a man easily four times her weight and size through a building that is literally being reduced to rubble around her.

    So yeah, I can't help but like her in the end.

    And regarding Ryuuji, I think it's a bit harsh to say that he was "barely holding his own" against the armed thugs :). He was in fact taking them down so quickly that both Kise (hardly his greatest fan) and Tsukasa were whistling in astonishment (Tsukasa was even blushing a bit at the spectacle). And it should be noted that Tsukasa actually dropped down on the thugs from above and behind, which is an entirely different matter than being at front and centre of their focused aggression.

    I get what you're saying about the ultimate weapon fights. On reflection, however, I guess that's just not the kind of fight I count when determining skill :).

    It's a "level up" fight: the most annoying type of fight in manga/anime in my opinion. The protagonist is completely out classed. He (since it usually happens in shounen series) has been trounced within an inch of his life, has escaped death only by miracle/intervention of his associates, he's usually severely injured, and then suddenly (usually after a slur upon his honour) he "levels up", and he can move better, faster and stronger than when he was completely fresh into the fight.

    In this case, Tsukasa would have been ripped to pieces multiple times over if, a) Freya hadn't been so cat-with-a-mouse at the start, and b) Kise Akira hadn't put his life on the line to save her. She's exhausted, completely out classed, and severely injured (several major muscle groups are impaled on Freya's blades). Then Freya goes all derisive about human sentimentality, Tsukasa gets pissed off, and suddenly she's hell on wheels while *still* impaled by those blades, using those blades, in fact, and their anchorage in her flesh, to keep up with and battle Freya.

    I know it's manga, and the setting is even a little science-fictiony too, but that's the kind of thing that breaks my suspension of disbelief. That's the kind of fight that makes me go, "ugh, bored now, show me something else", so I guess maybe I just block it from my memory when I'm recollecting a series I otherwise enjoyed :).

    So yeah, if I include level-ups, I guess I'd have to give it to Tsukasa, but if I'm only counting what I consider real martial skill, then for me it's Ryuuji all the way :).

    So anyway, yeah, just my opinions :).

  • Stephanie Barr
     

    I've seen a few level ups in real life, people who stood up and did what need done when they were past their limits but I'm less likely to cavil.

    Kind of like a scrawny 14-year-old girl dragging a guy four times her weight out of a disintegrating building. :) I'll admit Asago is a better shot than Tsukasa.

    Must also admit, since I'm a bona fide Rocket Scientist (no really), that level up thing was the LEAST of the things that might rupture my suspension of disbelief. Pretending Ryuuji and Tsukasa were fourteen is already higher on my list

    Having said that, let's agree that Ryuuji is the better all around fighter (there's no doubt in mind there). I'd add Tsukasa is generally proficient as a fighter, but has the chaos factor that can bump her up a notch under certain circumstances, but also makes her a wild card since she's the person mostly likely to fight with minimal provocation.

  • Anonymous
     

    SPOILERS ...

    See, my disbelief is suspended on some pretty hefty, industrial grade cables ;). And I'm no rocket-scientist, so as long as a world is more-or-less internally consistent, I can hand-wave a lot of WTF crap :).

    So I can buy the 14 years old bit. The art changed a bit over the years, and Ryuuji especially looked a lot younger at the start than he did at the end, but even so, 14 is a prime age for puberty, and boys especially shoot up like weeds at that age. It also helps a lot that Ryuuji is really the only one who is unusually mature for his age, and that characters who have not previously met Ryuuji are consistently shocked by the gravitas that is at complete odds with that age. I can accept this as normal behaviour for Ryuuji because Nakamura-sensei is explicitly not asking me to accept it as normal behaviour for a 14 year old.

    With regards to Tsukasa's level up, though ...

    I too have had occasion to witness people physically stepping up their game. I've also seen people moving on will-power alone after literally days of constant labour, both mental and physical, without even a wink of sleep between.

    But aerial acrobatics and flying kicks at blink-and-you'll-miss-it speed while wedges of metal are buried in your shoulder, back, hand and thigh? No. That's quite enough to bring my sense of disbelief crashing down around my ears.

    Funnily enough, it suddenly occurred to me (after I'd posted my last comment), that a big part of my warming up to Asago at the end was probably because it was her scenes that were giving me a much needed break from that Tsukasa/Freya slugfest.

    And for my part at least, I wouldn't call Asago's scenes a "level up". Perhaps if she'd slung Munakata over her shoulder and made a run for it, but painfully, laboriously dragging that behemoth of a guy through a building, staggering as the earth shakes beneath her, collapsing from the effort, shielding his head from falling debris with her own body and then tottering to her feet to go at it all over again? That's not a level up. That's just pure, mulish, can't-help-but-admire-it stubbornness :).

    So anyway, yeah, I think your last statement is a good summary of the position we've arrived at :). Ryuuji generally the better fighter all round, but Tsukasa taking the lead when the plot requires her to level up ;).

    So, thank you for taking the time to respond to me. I appreciated the replies and it was certainly a lot of fun to delve back into the details of a series I greatly enjoyed. I'm still searching for another series that combines the many fabulous traits that made TCP such a thrill to read, so it was great to be able to dwell on this one for a while :).

  • Stephanie Barr
     

    TCP is still my favorite, too.

    If I told you the one that came closest (for me) that brought me similar excitement I've read since, you'd probably roll your eyes. It is notably short of heroines, but I liked it anyway.

    If you're not offended by overt gay sex (definitely adult, here), I really liked Border by Kazuma Kodaka. If you are, I'm still looking (though I'm currently distracted by yaoi).

  • Stephanie Barr
     

    Looks like the comment I was replying to was lost... Here it is

    Anonymous has left a new comment on your post "Tokyo Crazy Paradise [4]: Favorite Characters":

    SPOILERS ...

    See, my disbelief is suspended on some pretty hefty, industrial grade cables ;). And I'm no rocket-scientist, so as long as a world is more-or-less internally consistent, I can hand-wave a lot of WTF crap :).

    So I can buy the 14 years old bit. The art changed a bit over the years, and Ryuuji especially looked a lot younger at the start than he did at the end, but even so, 14 is a prime age for puberty, and boys especially shoot up like weeds at that age. It also helps a lot that Ryuuji is really the only one who is unusually mature for his age, and that characters who have not previously met Ryuuji are consistently shocked by the gravitas that is at complete odds with that age. I can accept this as normal behaviour for Ryuuji because Nakamura-sensei is explicitly not asking me to accept it as normal behaviour for a 14 year old.

    With regards to Tsukasa's level up, though ...

    I too have had occasion to witness people physically stepping up their game. I've also seen people moving on will-power alone after literally days of constant labour, both mental and physical, without even a wink of sleep between.

    But aerial acrobatics and flying kicks at blink-and-you'll-miss-it speed while wedges of metal are buried in your shoulder, back, hand and thigh? No. That's quite enough to bring my sense of disbelief crashing down around my ears.

    Funnily enough, it suddenly occurred to me (after I'd posted my last comment), that a big part of my warming up to Asago at the end was probably because it was her scenes that were giving me a much needed break from that Tsukasa/Freya slugfest.

    And for my part at least, I wouldn't call Asago's scenes a "level up". Perhaps if she'd slung Munakata over her shoulder and made a run for it, but painfully, laboriously dragging that behemoth of a guy through a building, staggering as the earth shakes beneath her, collapsing from the effort, shielding his head from falling debris with her own body and then tottering to her feet to go at it all over again? That's not a level up. That's just pure, mulish, can't-help-but-admire-it stubbornness :).

    So anyway, yeah, I think your last statement is a good summary of the position we've arrived at :). Ryuuji generally the better fighter all round, but Tsukasa taking the lead when the plot requires her to level up ;).

    So, thank you for taking the time to respond to me. I appreciated the replies and it was certainly a lot of fun to delve back into the details of a series I greatly enjoyed. I'm still searching for another series that combines the many fabulous traits that made TCP such a thrill to read, so it was great to be able to dwell on this one for a while :).

  • Anonymous
     

    Thank you for the suggestion. I don't know if it will appeal to me, since I happen to be gay for the *other* gender :), but I'll certainly keep it in mind.

    And I don't know if this will appeal to you, since it's by the same mangaka as Kemono-tachi no Yoru, but I quite enjoyed B-Eyes myself. Not much in the way of heroines (though it's not yaoi), but it's refreshingly short, the story arcs kept my interest, the male leads end up surprisingly charming, and the art is very easy on the eyes.

    But yes, the search continues :).

  • Stephanie Barr
     

    I still, to this day, have no idea why the author of the series you suggested has left me cold on the series I've tried. On the one hand, the subject matter is *exactly* the kind of thing that appeals, most of the characters, particularly the heroines, seem tough and capable. The art doesn't turn me off.

    So why did I dislike them so much I couldn't finish the first volumes of all three series I tried? I have no idea.

    However, I have found series I detested by mangakas I otherwise liked. I'll put B-eyes on my list of manga to try.

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